There was a time when The Rat Pack ruled, Vegas had a vibe, Martinis were a lunch staple and jazz clubs were the place to be.  Imagine that today...and you get NUTTY.

Nutty?  Sure.  Fun?  Oh yeah.  But what about the music?

Don't let the styles and smiles fool you.  These cats play their asses off.  Nutty artfully melds brilliant interpretations of Modern Standards (aka pop & rock classics) with timeless jazz.  And when Sonny saunters up to croon, you might start to believe it's 1962.  Why fight it?  Order up a top-shelf cocktail and enjoy the ride.

To simply describe Nutty's music as "jazzy versions of classic rock songs" doesn't really get the job done.  It's so much more than that...

"Hats off to Nutty for swinging out on songs that probably didn't know they could bend that way (like a fat guy in his first yoga class)!  Without question, I'll also give appreciative credit to whoever conceives these new arrangements.  A purist might want to hide under the bed, but anyone who appreciates the fusion of ideas, style and lounge culture completely out of control must buy this album."
Frankie Hagan (Dance Frankie), Retro Radar

On stage, it's a Bachelor Pad vibe, right down to the black suits, skinny ties and irreverent humor. And when the fiddlers have fled, the songs stay in your head. Come for the funny, stay for the music.

For the jazz enthusiast--or even the jazz purist--the arrangements are sharp and valid, as they pay homage to jazz greats like Brubeck, Dizzy, Coltrane, Miles, Duke, Cannonball and Monk.  For those whose knowledge of jazz doesn't go beyond "Take Five" and "So What", Nutty is an entertaining education into the classics.

To those who don't know how to spell jazz, it's a whole 'nother version of cool. After all, they've never heard The Beatles, Steppenwolf, The Who, Thin Lizzy, Black Sabbath or AC/DC sound quite like this.  And, on top of that, the band throws in an occasional movie or TV theme just to see if you're payin' attention.

It's not odd for a fan who's heard Nutty play their favorite pop/rock tune to research the jazz references they've heard.  Next thing you know, you've got a new jazz fan.  Let it be said that Nutty doesn't make fun of jazz, rather they make jazz fun.  And it's a gas!

"Their shtick is jazzed-out, hard-swinging covers of classic rock tunes, laid out by some nice players and a stylishly loungey front man.  It's pure Vegas--really good Vegas--and a good time.  If you're trying to edge your rock'n'roll-hearted friends into jazz, it's not a bad starting point."
Brick Wahl, LA Weekly

Nutty has a rather oddball history. Briefly known as Chase Lounge And The Lazy Boys, the band was a loose jump blues group, with guitar, bass, drums and vocal. There were no horns, and there were no signs of jazz...yet.

Vocalist Sonny Moon (Joel Hile) was lured in under the condition that all he had to do was walk up to the mic and sing.  But soon he took control, and began to veer the band's sound toward lounged-out classic rock songs.  When bassist Guy Wonder (a.k.a. Mike Werner) joined the quartet, Sonny found a like-minded co-conspirator, and the band became nutty, and soon thereafter became Nutty.

Some songs were recorded, some horn players were brought in, and ideas flourished.  Notable L.A. jazz scene standouts like Carl Saunders, Elliott Caine and DJ Bonebrake took an interest (as well as a little dough) and added their talents to the first CD.  The cast expanded and diminished as personnel changes were made and Nutty searched for the perfect crew.

The Nutty lineup continued to evolve as the quality of the charts and the gigs improved.  Guitar was replaced by vibes.  There was a trombone for a month or two.  The vibes were replaced by a baritone sax in order to round out a three-horned brass punch.  Then came percussion to add to the Latin sounds and the beatnik vibe.

Soon Sonny and Guy were not only combining various forms of jazz with rock songs they felt nobody else would dare jazzify, but they were actually incorporating specifc jazz songs into the rock arrangements.  Although the US Office of Copyrights might not agree, Nutty's re-interpretations of these songs take them so far beyond where they began, that they could actually be considered quasi-original compositions.

As it stands, the current lineup, as shown above, is the Nutty A-Team.  Solid players, hard swingers and gifted improvisers, the gentlemen of Nutty take you on a strange trip inside a musical time machine.  Rock and roll puts on a new face, like a painting in mascara.  Call it Jetsetter Jazz.  Ring-a-ding-ding!

"I've seen these guys bring back the crowd when the club saw the adverse effects of the economy.  Their sound is dynamically big and brilliant, and their vibe screams swank and Rat Pack frivolity.  Not only do people buy more drinks, but they buy the good stuff.  Anything can and does happen at a Nutty show, and the music stays forever ingrained in your brain.  These cats dazzle, and I think they're swell!"
Steve Camera, Creative Director, Hip Kitty Jazz

The forthcoming CD, tentatively titled "Jetsetter Jazz: The Persuasive Sounds Of Nutty", features the music of The Police, Dizzy Gillespie, Jimi Hendrix, Henry Mancini, Lalo Schifrin, Jethro Tull, The Kinks, Charles Mingus, The Monkees, Thelonious Monk, Neil Young, Duke Ellington, Edgar Winter, The Moody Blues, Dave Brubeck, Aerosmith and Van Halen.

It's one helluva sonic cocktail.  Drink responsively.

These cats are NUTTY:

Sonny Moon - Voice
Guy Wonder - Bass
Dan Spector - Keys
Edmund Velasco - Tenor/Alto Sax, Flute
Mike Reznick - Baritone Sax, Flute
Bijon Watson - Trumpet
Matt Johnson - Drums
Erik Leckrone - Percussion